Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.   Related Paintings of MANTEGNA, Andrea :. | Suite of Cardinal Francesco (detail) ag | The Lamentation over the Dead Christ st | View of the West and North Walls sg | View of the West and North Walls | The Court of Mantua (detail) ef |
Related Artists:
Max Arthur Stremel
painted Giudecca, Venedig, Kanalansicht in 1914
Maksymilian Gierymski
Gierymski (Warsaw 1846 - Reichenhall, Bavaria 1874) was a Polish painter, specializing mainly in watercolours. He was the older brother of painter Aleksander Gierymski. As a seventeen-years-old boy, he participated in the January Uprising. He was educated at the Warsaw Drawing School initially, but then received a government scholarship in 1867 and went to study at the Academy of Fine Arts in Munich. He became one of the leading painters of the Munich realistic school. Initially best known for this battle paintings, he also created many landscape paintings, especially of southern Poland, which he visited several times. Successful western Europe completely, he did not gain approval nor popularity in Poland of the 19th century, although he sent paintings to exhibitions in Warsaw regularly from 1968 on. He did however win awards at exhibitions in Munich (1869) and in Berlin (1872).
Jose Julio Sousa Pinto
painted Barco desaparecido in 1890